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Follower Counts Are Dead: 2025 Marks the Year Algorithms Reign Supreme, TechCrunch Reports

Follower Counts Are Dead: 2025 Marks the Year Algorithms Reign Supreme, TechCrunch Reports
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The Algorithmic Overlord: Why Follower Counts No Longer Matter in 2025

In the rapidly evolving digital landscape of 2025, a seismic shift has occurred: the once-dominant metric of follower count has dwindled into irrelevance for businesses and content creators alike. This profound change is driven by the increasing sophistication and omnipresence of platform algorithms, which now dictate content visibility to such an extent that simply publishing no longer guarantees an audience will see it, not even one's own subscribers. As Amber Ventz Box, CEO of LTK, aptly put it, "I think 2025 became the year the algorithm fully took over, and follower counts stopped meaning anything." This new reality, while perhaps surprising to some, has been a gradual crescendo for those at the forefront of the creator economy.

The Algorithm's Grip and Shifting Audience Dynamics

For years, pioneers like Jack Conte, CEO of Patreon, have been sounding the alarm about this very trend. The industry, from the most established influencers to emerging streamers, is now actively navigating this algorithmic dominion. Creators are compelled to forge deeper, more authentic connections with their audiences, seeking strategies that cut through the digital noise. Some are positioning themselves as a bulwark against the deluge of AI-generated content, offering genuine human perspectives, while others are ironically leveraging AI's capabilities in novel ways to amplify their reach.

LTK, a platform connecting creators with brands through affiliate marketing, exemplifies this new paradigm. Their business model hinges on the trust audiences place in creators to recommend products, earning commissions on sales. The fragmentation of direct creator-subscriber relationships posed a potential threat. However, a commissioned study by Northwestern University yielded an unexpected finding: trust in creators surged by 21% year-over-year. "If you had asked me at the beginning of 2025 if trust in creators would increase, I probably would have said no. People understand that this is an industry," Box explained. "But AI has pushed people to transfer their trust to real people with real-life experiences." This suggests a consumer-driven pivot, with individuals actively seeking out content from trusted sources, a sentiment echoed by the 97% of marketing executives planning to increase influencer marketing budgets in the coming year.

New Frontiers in Audience Engagement: Clipping and Niche Dominance

However, cultivating direct audience relationships has become a formidable challenge. LTK creators are betting on a growing skepticism towards AI, encouraging audiences to engage through more direct channels like paid fan communities or platforms with less algorithmic interference, such as LTK itself. For streamers, short-form video creators, and video podcasters, the strategy often resembles a more aggressive form of growth hacking – a data-driven, experimental approach prioritizing creativity over traditional advertising.

Sean Atkins, CEO of Dhar Mann Studios, articulates the quandary: "In a world driven by AI and algorithms, where people trust other people more in this micro-atomization of attention, how do you even market when you have almost no control?" A potent new weapon has emerged in this environment: "teenager armies" on Discord, as described by Eric Way, co-founder of Karat Financial. Creators are now employing these enthusiastic young audiences to create and disseminate short, impactful clips from their longer content across algorithmic feeds. "This has been happening for a while. Drake does this. A lot of the biggest creators and streamers do this – Kai Cenat," Way observes. "If the algorithm dictates everything, clipping starts to make sense because a video can blow up from any account." Way anticipates the rise of clipping – the practice of extracting short, engaging segments from longer videos or streams for mass redistribution on social media – will continue its ascent, as even the biggest creators struggle to connect directly with their fans. Algorithms are indifferent to account history; a compelling clip can achieve widespread dissemination regardless of its origin.

This dynamic allows "clippers" to monetize based on viewership. Glenn Ginsburg, president of QYOU Media, likens clipping to the evolution of meme accounts, noting an intense competition for maximum reach for the same content. However, Reed Duchscher, CEO of Night and former manager for MrBeast, offers a more measured perspective. While acknowledging clipping as an effective method for saturating online spaces with content, he highlights scalability challenges due to a limited pool of clippers and escalating costs. "The creator wins because more people see their content. The clippers win because the teenagers get paid," Way concludes. "Everyone wins, but if you push it too far, you just get a lot of slop." This notion of "slop" – low-quality, mass-produced content artificially inflating feeds with little user value – became so pervasive that Merriam-Webster declared it the word of the year.

The Future Belongs to the Niches

The overwhelming volume of digital detritus has driven a significant portion of users away from the sprawling, impersonal platforms. Over 94% of individuals no longer perceive social media as truly social, with more than half migrating to smaller, more focused communities on platforms like Strava, LinkedIn, or Substack. Duchscher predicts that creators who carve out distinct niches will be the ones who thrive. The era of mega-influencers like MrBeast, PewDiePie, or Charli D’Amelio is becoming increasingly difficult to replicate. Algorithms are now exceptionally adept at serving users precisely what they desire, making it nearly impossible to dominate multiple niche landscapes simultaneously. Atkins further emphasizes that the creator economy has transcended mere entertainment, citing Epic Gardening – a brand that blossomed from a YouTube channel into a significant player, acquiring the third-largest seed company in the U.S.

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Post is written using materials from / techcrunch /

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